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K-Heritage Series
Talchum: Mask Dance and Drama in the Republic of Korea
작성자 : 진흥원 관리자
등록일 : 2024-10-17
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- Title : Talchum: Mask Dance and Drama in the Republic of Korea
- Publisher : Korea Heritage Agency (Korea Cultural Heritage Foundation)
- Written by : Heo Yong-ho, Suh Yon-ho, Kim Hyung-Kun
- Publication Date : 2019. 12. 20.
- Pages : 216
- Size : 163*200mm
- Price : Not for Sale
- ISBN : 978-89-6433-276-4
Book Description
Talchum: Mask Dance and Drama in the Republic of Korea
This book, published in 2019, is part of the K-Heritage series and covers Talchum, which was inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2022.
Talchum, literally "mask dance," is the Korean form of masked theater that integrates singing, dancing, and dialoguing. As its name suggests, Korean masked theater, or talchum, possesses strong characteristics as a form of dancing or singing. In that the exchange of dialogues among characters and their way of behaving is a critical factor of the performance, however, it is also a form of theater.
Table of Contents
Ⅰ. Prologue: What is Talchum?
Ⅱ. Origins and Development
Ⅲ. Varieties of Korean Mask-dance Drama
Ⅳ. Modes of Transmission and Dissemination
Ⅴ. The Present and Future of Transmission and its Sociocultural Meaning
Ⅵ. Epilogue: Talchum from the South toward the Peninsula
Ⅱ. Origins and Development
- 1. Origins
- 2. Village-ritual Plays
- 3. Development
- 4. Sandae Mask-dance Drama
- 5. Mask-dance Drama in the Eighteenth Century and Later
Ⅲ. Varieties of Korean Mask-dance Drama
- 1. Varieties
- 1-1. Village-ritual Plays
- 1-1-1. Government Slaves’ Masked Drama of Gangneung
- 1-1-2. Bukcheong Lion Play
- 1-1-3. Mask Dance for the Shamanistic Rite of Hahoe
- 1-2. Sandae Mask-dance Drama (Seoul/Gyeonggi-do and Hwanghae-do)
- 1-2-1. Songpa Mask Dance
- 1-2-2. Yangju Mask Dance
- 1-2-3. Gangnyeong Mask Dance
- 1-2-4. Bongsan Mask Dance
- 1-2-5. Eunyul Mask Dance
- 1-3. Sandae Mask-dance Drama (Busan/Gyeongsangnam-do)
- 1-3-1. Five Clowns of Gasan
- 1-3-2. Five Clowns of Goseong
- 1-3-3. Five Clowns of Tongyeong
- 1-3-4. Dongnae Field Play
- 1-3-5. Suyeong Field Play
- 2. Common Themes
Ⅳ. Modes of Transmission and Dissemination
- 1. Jeonhyeong-centered Transmission
- 2. Creative Transmission as a Cultural Movement
- 3. Widespread Transmission as a Festival
Ⅴ. The Present and Future of Transmission and its Sociocultural Meaning
- 1. Current Transmission System
- 2. Challenges for the Future
- 3. Sociocultural Roles and Meaning
Ⅵ. Epilogue: Talchum from the South toward the Peninsula
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